UNDERTOW //
BASS, AND NOTHING ELSE
Undertow does one job: low end. Two sub oscillators, saturation that goes from warm to fuzzy, and filters steep enough to keep the mud out.
“Clipped analog bass, hollow in the mids, huge underneath”
Inside
Built in three layers
Undertow splits a bass into sub, attack and grit, so you can shape each one without wrecking the others.
Sub-Harmonic Engine
Adds layers one or two octaves below the note, phase-aligned so they don’t cancel.
Saturation Modeler
Transistor-style clipping, from a little warmth to full fuzz.
Dynamic Transient Shaper
Pushes or softens the front of each note.
Parallel Layering System
Sub, mid and grit layers, each with its own output.
48 dB Filter Slopes
Steep lowpass filters that keep the sub clean.
100+ Presets
A starting library for dark cinema, grime and techno.
Sketch
Describe the bass you want
Describe it
‘Viscous’, ‘heavy’, ‘growl’. Say it however it sounds in your head.
It sets the layers
Sketch sets drive, compression and the crossover, and keeps everything under 30 Hz clean and mono.
Then it’s yours
Velocity shapes the attack, and every setting stays editable.
Scope
The low end, drawn
Drawn from the settings next to it. The fundamental stays steady even under heavy compression.
The MURMUR suite
